
In 1984 Warhol made a long series of prints that are versions of four main subjects by Munch, the iconic The Scream, Madonna, Self-Portrait and The Brooch. Eva Mudocci. The exhibition consisted of 30 of Warhol’s unique silk-screen prints and 17 of Munch’s original prints.

Confused by this e-mail, Calle unleashed the e-mail to 107 women (including a parrot) who by using their different talents and skills would interpret it in their own way. The result was massive and the hall was filled with the interpretations presented in text, video and photography. At first glance Calle seems to be an obsessive narrator of her own private emotional and psychological life. But exploring deeper, she reaches something utterly human and universal. In numerous interviews she states that she only uses fragments of her life as tools in her work, nothing more.
The exhibition moves from Louisiana on the 24th of October and will be shown at the Hasselblad Center in Gothenburg from the 30th of October, where she will also receive the Hasselblad Award.
Check out this link to find out more about Sophie Calle.